看《马亚一家》有点像是翻一本泛黄的老相册，每翻一页都闻到樟脑和灰尘混合的味道。这部作品适合对文学改编抱有耐心、能从节制叙事中捕捉人物心理褶皱的观众，尤其适合喜欢阿基·考里斯马基式静默美学的影迷。家族的体面与欢笑声背后，卡洛斯发现一段被刻意掩埋的往事正像老墙上的霉斑一样悄然蔓延。剧情并不追求戏剧冲突，而是靠日常对话和家庭聚餐的间隙，层层剥开乱伦、破产、虚伪等暗伤。导演若昂·伯特洛把镜头压得很低，老老实实跟着人物在里斯本的宅邸和街头走动，没有花哨的调度，却让你透过窗棂和长桌的间隙，看清一个家族的体面怎样被秘密和谎言慢慢蛀空。这部电影适合那些愿意在慢节奏中品味人情世故的观众——尤其是读过原著的人，会发现改编者刻意留白，把最锋利的真相藏在散落的手帕和未寄出的信里。

The tragedy and comedy in Carlo's life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

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