嘿，最近翻出一部老片子《寂寞孤心》，看完愣了好久。罗伯特·瑞安演的主编特混蛋，相比之下玛娜·洛伊演的女酒鬼反而让人心软。最让我起鸡皮疙瘩的是玛伦·斯塔普莱顿演的那个写信的女人，她神经质的样子简直是从屏幕里伸手掐你脖子。玛娜·洛伊演一个离了婚的女人，有一场她站在厨房里发呆的戏，就一个背影，你都能感觉到她有多憋屈。他起初带着职业化的疏离，却在读到几位女性读者深藏心底的创伤后，渐渐投入了真切的同情。 这部电影不提供廉价救赎，而是冷静追问：当同情变成职业，真诚是否会变成另一种表演？适合喜欢现实主义心理剧、能耐心咀嚼人物微表情与沉默的观众，尤其那些也曾对着陌生人的悲伤不知所措的人。

Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her past adultery, and assigning his employees journalistic jobs for which they have little aptitude or interest. Shrike goads Adam into meeting one of his correspondents, Fay Doyle, a teary, self-pitying woman who makes a play for him. Adam is torn between his loyalty to the newspaper and his girl Justy.

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