看《丹麦小村教堂》像在翻一本发黄的相册，德莱叶把镜头压得很低，只拍石墙上的苔痕、窗棂漏下的光斑，还有村民低头祷告时睫毛的颤动。如果你能接受一部“像建筑本身一样缓慢”的电影，愿意静下心感受光影流转和仪式感的重量，那么它会给你一段特别安宁的时光。适合那种愿意关掉手机、用几分钟彻底沉下心来的观众，特别是对老建筑、黑白影像或者单纯想找个地方安静一会儿的人。 :)。他那双眼睛里有种沉沉的温柔，看着村民时，好像能看到你心里去。镜头就那么安静地停在石墙的缝隙上，停在木门被风吹开的吱呀声里，没有配乐煽情，没有刻意剪辑——像小时候跟外婆坐在教堂最后一排，阳光斜斜地照在旧木地板上，灰尘在光线里缓缓飘动。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.相关搜索：
丹麦教堂世界上最北的教堂欧式教堂天主教堂60岁以上老人免费吗北欧教堂
