这部电影简直是情绪的大爆发，皮涅罗导演用极度的现实主义手法，将这对恋人之间歇斯底里、爱恨交织的关系刻画得入木三分。两位主演眼神戏炸裂，将那种在痛苦中沉沦的极致情感演绎得入木三分。如果你喜欢看两人之间疯狂拉扯、暗流涌动的戏码，或者对那种破碎的“Bad Romance”上头，这部电影绝对能狠狠戳中你的神经。导演皮涅罗运用极其克制甚至病态的镜头语言，将一段有毒关系拍出了令人窒息的质感。看着他俩一边疯狂试探一边又忍不住靠近，那种危险又迷人的拉扯感让人手心冒汗。剧情以一位著名诗人与一位深受其才华与毒害的“崇拜者”之间的纠葛为核心，不仅揭示了权力关系下扭曲的爱恋，更是一场充满痛楚的试探。

　　Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.

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