弗里茨·朗在《夜阑人未静》中展现了晚期黑色电影特有的冷峻叙事结构——通过平行剪辑将报社、警方与杀手三条线索交织，形成对媒体暴力与公共安全的锋利拷问。演员们特别有意思：文森特·普莱斯演那个油滑的出版商，说话阴阳怪气；达纳·安德鲁斯演硬汉记者，全程绷着脸但眼神里全是戏；还有乔治·桑德斯，演个衣冠楚楚的恶棍，让你恨得牙痒。于是，这群男人像猎犬一样扑进夜色，有人利用线人，有人靠美色套话，有人暗中使绊，而那个躲在暗处的杀手，正饶有兴致地把这场追逐当成新的游戏。适合喜欢社会派犯罪故事、厌倦个人英雄主义的观众，尤其是对媒体伦理绕不开兴趣的人。适合喜欢看社会群像、对行业潜规则感兴趣的影迷，尤其是那些不满足于单纯破案、更看重人物心理较量的观众。整部片子像一杯慢慢浸透的黑咖啡，喝下去是现实的苦味。

A power struggle ensues after the death of media magnate Amos Kyne, whose corporation has been turned over to his sole heir, his foppish son Walter. Rather than run the company himself, Walter decides to let the heads of its three divisions fight it out for control. Their assignment is to score an exclusive on a serial killer who is terrorizing women in New York. The Kyne organ...

相关搜索：