嘿，我跟你说，刚看完《从世界终结开始》，这导演纪里谷和明挺会搞的。适合那些能忍受慢节奏、愿意在寂静里捕捉人物呼吸的观众，尤其推荐给对“日常如何支撑绝望”这个话题感兴趣的影迷。导演放弃宏大灾难奇观，转而聚焦世界终结后人与人之间无法缝合的细碎空隙——适合乐于在散落叙事中拼贴情感光谱、不畏惧情感钝痛的观众。北村一辉演个怪大叔，又吉直树倒是一脸正经，这群人凑在一起像临时搭了个没有血缘的家。导演用近乎纪录片式的固定镜头，捕捉两人在荒谬期限下的日常褶皱——伊东苍每回低头洗碗时的小动作，每熊克哉欲言又止的嘴角，都让“终结”变成了一面放大镜，照出平凡关系里的细碎裂痕与柔软。伊东苍演的那个普通女孩，面对崩塌的世界时不是英雄式的勇敢，而是偶尔小声哭、偶尔假装坚强，那种笨拙的真实感让我好几次忍不住鼻酸。

　　In fabulous travels in time, back to the time of the samurai, young Hana, unhappy and tormented in the present days, can finally finding her place in the world. One day, she dreams of another young girl who lived in the past. Unexpectedly, the following day, she is taken by mysterious government agents. Who are convinced that her dreams may save the world. With a surprising colour treatment, a clear narrative takes us to the past or the future through the fine acting of the young Aoi It.
　　源自：https://fantasporto.com/en/from-the-end-of-the-world/

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