约翰·弗兰克海默在《第二生命1966》中展现了惊人的视听控制力：大量广角镜头与鱼眼畸变制造出空间的压迫感，手持摄影跟拍主角的局促步伐，将中年银行家对平庸生活的窒息焦虑转化为视觉上的变形扭曲。故事讲一个中年银行家嫌日子太没劲，跑去“重生”换了个年轻身体（罗克·赫德森演的，那张脸一下子从倔老头变成明星脸，反差特别大）。罗克·赫德森这次完全丢掉偶像包袱，演那个通过整容换身份的中产男人，眼神里全是空洞和恐惧，太有说服力了。适合那些在焦虑里追问“我到底要什么”的观众，它不会给你答案，但会让你在黑暗里攥紧拳头，重新摸到自己真实的脉搏。罗克·赫德森彻底抛弃了偶像光环，他饰演的新身份松弛得让人发毛，每一次笑容都像塑料面具在裂开。**推荐给喜欢《阴阳魔界》式心理惊悚、能接受缓慢压抑节奏的朋友，不适合只想看爽片或乐观结局的观众。

　　Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy, Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant, a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. Written by garykmcd

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