嘿，你要是对默片好奇，这部1924年的《基恩》真值得翻出来看看。比起同年《骗子》里纯粹的脸谱化表演，莫兹尤辛把酗酒后的踉跄、傲慢时的虚张声势演得像随时会碎掉。导演亚历山大·沃尔科夫巧妙运用默片时代的特写镜头与叠印手法，将埃德蒙·基恩的戏剧表演片段嵌入其现实困境，形成一种近乎意识流的心理蒙太奇——主角在酒醉后的踉跄步伐被剪辑成舞台上的踉跄独白，模糊了虚构与真实的边界。适合想平心静气感受默片魅力的观众，或者对“演员如何用身体讲故事”感兴趣的人——这部片子会告诉你，没有台词反而可能让情绪更精准地击中你。这片子是亚历山大·沃尔科夫导的，讲的是大戏剧演员基恩的故事。主演伊万·莫兹尤辛，那眼神绝了，他演基恩在台上疯癫、在台下落魄，一个挑眉就能让你跟着揪心。

　　By 1820, Edmund Kean is the most admired Shakespearan actor. But if his art is peerless, his free lifestyle is ill thought of, particularly by the high society. Kean has fallen passionately in love with Countess Elena de Koefeld, the wife of the ambassador of Denmark. Elena loves him too but hesitates to give up her rank in society and follow Kean. On the other hand, Anna, a rich heiress who refuses to marry Lord Mewill, the husband chosen by her parents, confesses her love for Kean and decides to become an actress like him... The aristocrats, outraged by Edmund's profligate ways, decide to boycott his performances and his career is broken. Kean does not recover from such a blow and, on a stormy night, dies in Elena's arms.

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