### 三句核心看点 1. 没有宏大战役戏，却用“偷桃”这种小举动串起战争阴影下普通人的生存挣扎——不是英雄史诗，是藏在弹孔里的烟火气。 ❤。内韦娜·科卡诺娃演得太好了，她眼里的那种绝望和渴望，哪怕只是静静地坐着，都能让人心里发紧。 内韦娜·科卡诺娃饰演的村姑玛莎，没有一句控诉台词，却在递给尼古拉半块黑面包时，把掌心的温度拍得发烫；Mikhail Mikhajlov扮演的老钟表匠，临终前把藏在怀表中的铜币塞进男孩手里，镜头慢慢推近那枚锈迹斑斑的硬币——上面的纹路，竟和尼古拉偷桃时划破的手掌心纹重合。导演伍洛·拉德夫没拍那些宏大的冲锋场面，而是把镜头死死对准了战壕里泥泞的靴子和士兵们呆滞的眼神，这种灰暗压抑的写实感特别抓人。内韦娜·科卡诺娃演得太好了，她眼里的光亮和绝望，让人隔着屏幕都能感到心口发紧。

　　World War I is coming to its end. Prisoners of war are coming into the town with Serb Ivo among them. During one of his escapes from the camp, he finds himself in a private garden. There he meets Lisa, the wife of the town-major - a severe and heartless colonel. She is sad, lonely and her meeting with the Serb develops into a deep mutual love. Their meetings become more frequent. But the lovers are doomed. The war prisoners are moved away and as Ivo comes to bid her farewell, he is shot to death. Written by Georgi Djulgerov {[email protected]}

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