这剧真挺上头，叙事上有点像在剥洋葱，每集都藏着一层人性阴暗面，还老给你来个反转，根本猜不到结局。如果你厌倦了套路化的洗白与升华，喜欢在孤独的推理解谜中感受宿命般的压抑与美感，这部剧绝对能让你看得头皮发麻。对于喜爱心理悬疑与文学性较强的社会派推理的观众而言，这季剧集提供了一个极度成熟且冷峻的刑侦样本。导演通过大量极简主义的空间调度，将死者“道德凝视”的压抑感转化为剧作张力，打破了传统福尔摩斯式的智力炫技模式。虽然事儿都发生在那个黑白电视和泥泞马路的年代，看着有点像看老新闻，但它探讨的背叛和道德问题一点不过时。布莱恩·考克斯饰演的警司依旧沉稳有力，凯文·沃特利与杰森·杜尔的年轻探员组合则通过激烈的对话交锋，让剧情更具层次感。

　　Dr. Brewster's suicide takes a particular twist when the pathologist determines that he had also been bound and gagged. The Brewsters, both medical doctors, ran a private clinic and their son John, who lived at home, is doctoral candidate in philosophy. One possible suspect is Michael Steppings who threatened the Brewsters and their nurse after his daughter suffered severe side-effects and is now in a vegetative state from a botched operation two years previously. The forensics lab determines that one of Steppings's threatening letters was altered and Morse learns that Brewster may at one time been having an affair, so he must consider another possible motive for murder.

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