如果你正在犹豫要不要看，我可以告诉你：这是一部把“房子”当作另一个主角的心理悬疑剧。演员的表演与这种克制冷峻的风格高度咬合——大卫·奥伊罗饰演的建筑师既温柔又让人不安，眼神切换间传递出控制欲与脆弱感的微妙平衡。简开始调查，却发现建筑师暗中观察着一切，自己仿佛被困在人为设计的迷宫之中。 影片采用冰冷克制的平行叙事，两段时间交错叙述却不混淆，镜头的对称构图和冷灰色调本身就像牢笼。导演丽莎·布吕尔曼没有依赖廉价惊吓，而是通过家具的摆放、台词里的细微停顿，让你对男主角的每一次微笑都产生疑虑。大卫·奥伊罗把“温柔”与“瘆人”揉在一起，观众会先被他的体贴打动，再被同一张脸吓到。

The Girl Before tells the story of Jane (Gugu Mbatha-Raw), who gets the chance to move into a beautiful, ultra-minimalist house designed by an enigmatic architect (David Oyelowo). There’s just one catch occupants have to abide by his list of exacting rules. Jane starts to feel the house changing her in unexpected ways, but when she makes the shocking discovery that her predecessor Emma died in the house, she’s forced to confront unnerving similarities. As the two women’s timelines interweave, Jane begins to question if her fate will be the same as the girl before…

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