推荐这部1970年的《和谐家庭》时，不妨把它和同期《德古拉》《科学怪人》那些哥特怪物片放在一起看：弗雷迪·弗朗西斯没有让吸血鬼或狼人登场，而是把恐怖塞进英格兰郊野的客厅里。 如果你喜欢《罗斯玛丽的婴儿》那种日常渗透式的恐惧，或者对70年代英国心理恐怖片偏爱的，这部值得一看。 影片用英式冷调摄影压住所有情绪，镜头总在门缝、镜框和地板的裂纹间游移，把家庭日常拍成步步紧逼的囚牢。适合喜欢《罗斯。厄休拉·豪威尔斯那个角色崩溃前的几场戏，手指攥着裙摆的力度都让人跟着屏住呼吸。迈克尔·布莱恩特演的父亲表面温和，但一个擦刀的动作就能让你后背发凉；厄休拉·豪威尔斯贡献了一场让人印象深刻的崩溃戏，从强颜欢笑到失声大笑之间没有过渡，真实得吓人。
Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other. Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.相关搜索：
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