1961年本多猪四郎执导的《摩斯拉》，在叙事上呈现出罕见的双线结构：一条追踪婴儿岛的原始文明与摩斯拉幼虫的生态奇观，另一条则直指资本贪婪与媒体炒作对人类秩序的侵蚀。剧情里人类偷摩斯拉的蛋、搞贪欲开发，最后反倒被幼虫追着跑，讽刺味儿挺足。最绝的是那对身高30厘米的小美人，她们唱歌召唤摩斯拉的场景，特效在今天看很粗糙，但旋律一响，鸡皮疙瘩真会起来。堺正俊扮演的探险家与小泉博的科学家形成有趣对照——一个凭直觉行动，一个靠理性推导，两人的分歧恰好带出人与自然相处的不同态度。
适合喜欢怀旧特摄片的朋友，或者想看看那个年代怎么用穷办法拍大场面的人——它不吓人，反而有种天真的浪漫。
一群外来者闯入岛屿，强行将其中一只带往东京进行公开展览。
Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.
相关搜索：
摩斯拉大灯哥斯拉为啥听魔斯拉的话《摩斯拉》电影基多拉原始摩斯拉
