如果你正在犹豫要不要看，我可以告诉你：这部巴西导演Mauro Carvalho的《我们2017》像是用长镜头和自然光偷拍了一对情侣的日常切片。导演Mauro Carvalho也是主演之一，他用大量中近景镜头捕捉角色说话时局促的肢体语言，配音只用了两首反复出现的巴西老歌，像他们心里挥不去的念头。手持摄影始终游走在角色肩颈之间，特写里迪亚哥·卡萨多与Carmem Moretzsohn的眼神错位比任何对白都更准确——亲密时刻的僵硬、争吵后的沉默都被镜头捕捉成呼吸的停顿。这种拍法像把爱情放在显微镜下，逼你直视那些被多数爱情片抹掉的疲惫与柔软。导演用大量固定长镜头和室内空间的冷暖光对比，把婚姻里那些“没说出口的话”拍成了看得见的物理裂缝。没有轰轰烈烈的告白，只有下雨天两人挤在同一个屋檐下时，鞋尖不自觉的靠近。

　　Diego had to leave his hometown in Brazil to attend a film school in California for 4 years. He also had to leave everything he had ever loved behind including Matheus, a handsome young man with whom he felt in love and shared passionate moments with. Ten years later, back in Brazil, he decides to make a film about their relationship. This biopic shows how passion can increase people's motivation in life, but also shows how making choices can be cruel for passion.

相关搜索：