《车中人》是一部极具黑色气质的都市寓言。加里·奥德曼贡献了教科书级别的演技，通过极具爆发力的微表情把一个落魄中年人的脆弱与坚硬拿捏得恰到好处，看完让人心里堵得慌却又被深深打动。看着他在狭小车厢里日复一日地不知疲倦，那种要把神经绷断的窒息感扑面而来。哈里森·福特贡献了影帝级的表演，将一个外表随和、内心疯狂的父亲演得层次分明。 虽然影片充满压抑，但马提亚斯·修奈尔贡献了教科书级别的演技，将一个原本可能令人厌烦的角色刻画得有血有肉。影片叙事干脆利落，镜头多在封闭车厢内游走，通过工整的特写和凝滞的构图，将那种“被困”的窒息感渲染得淋漓尽致。

A Man lives in his car. He is 40 years old and although he does not have a lot of free time, when he does, he chooses to spend it with his family. He meets his wife and two children at a specified day and time in car parking lots. His job is to locate and bring the finest honey to a 50-year old man. A New Driver shows up and the Man gets fired. The Man’s life changes and he finds it absurd that no one trusts him anymore.

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