查尔斯·马修在《草竖琴》中沿用了卡波特原著的散文式结构，以成年科林的回忆为线索，在时序跳跃中搭建起一种介于童年与成人世界间的暧昧叙事。适合愿意为一段黄昏光线停下脚步的观众，或者想念外婆手指上药酒味道的人。查尔斯·马修把镜头对准老宅地板的裂缝、茶杯边沿的茶渍，叙事像南方午后的光线一样缓慢而诚实。派珀·劳瑞和茜茜·斯派塞克演一对古怪老姐妹，住在树屋里搞草药——派珀那股子倔劲儿特别真，茜茜软绵绵的眼神里全是故事。他们在枝桠间支起被褥，用绳梯上下，接待访客——一位心软的老法官，一个酗酒的印第安人，还有镇上那些终于显露出善意的人。 派珀·劳瑞和茜茜·斯派塞克饰演的老处女姐妹，用低垂的眼睑和略显笨拙的肢体语言，把角色骨子里的执拗与脆弱掰碎了揉进每一段对话的间隙。
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city slicker comes to town and convinces Verena to market Dolly's locally-famous tonic, Dolly finally gets some backbone, refuses to divulge the formula, and heads for a tree house with Collin and Catherine, the loyal maid. Verena, who has most of the town in her pocket, sics the law on the renegades. Dolly, Catherine, and Collin find a supporter in a retired judge, Charlie Cool, who's attracted to Dolly. Will Verena's venom win out And what about that city slicker相关搜索：
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