如果你看腻了靠激烈冲突推动的家庭剧，《我所有的爱》会给你一种全然不同的体验。这部电影更适合愿意在沉默中读出惊雷的观众——那些对人物微表情敏感、喜欢通过细节拼凑内心地图的人，会在这种克制的叙事里找到深沉的共鸣。拉斯·艾丁格饰演的儿子，把那种被责任感压垮的疲惫和隐忍刻画得很到位，尤其是他在深夜独自修理父亲旧物时的细微动作，比任何台词都更有力。导演爱德华·贝尔格用冷调镜头和碎片化的时间剪辑，把兄弟姐妹在父母离世后重新纠缠、彼此伤害又无法割舍的状态拍得极准。剧情真正的张力不在遗产分配上，而在那些被刻意遗忘的童年创伤如何像暗河一样涌回地面。适合那些厌倦了快餐式煽情、愿意跟随导演的节奏逐一拆解人际关系微粒的观众。

斯特凡、茱莉亚和托比亚斯这三个兄弟姐妹过着舒适的中产阶级生活。从表面上看，他们做得很好，但所有三个人都越来越意识到他们的生活中存在着差距，有些事情不对劲，有些事情必须改变。41岁的斯特凡是一位成功的飞行员，一位真正的女士；到目前为止，他一直过着无忧无虑的享乐主义者的生活。但是突然之间，他的健康状况就不复存在了；而且，与他在早先的一桩婚外情中所生的女儿维姬的一次邂逅使他偏离了轨道。44岁的茱莉亚和丈夫在意大利度假时，开始照顾一只被车撞的街头狗。突然，她儿子去世的痛苦追上了她。34岁的托比亚斯嫁给了一位职业女性。他一直在照顾他们的三个孩子，似乎无法完成学业；现在他的兄弟姐妹决定他也应该照顾他们生病的父亲。　　爱德华·伯杰的电影描绘了三个人寻找幸福和内心平静。由于这三个集中的性格研究，形象出现了一个不安全的一代在一个快速变化的世界。　　The three siblings Stefan, Julia and Tobias lead comfortable middle-class lives. Outwardly, they are doing well, but all three are becoming more and more aware that there are gaps in their lives, that something is not right, and that something has to change. Stefan, 41, is a successful pilot and a real ladies man; up to now he has always led the life of a carefree hedonist. But suddenly his health will not play along anymore; moreover, an encounter with his daughter Vicky, whom he fathered in an earlier affair, throws him off course. While holidaying in Italy with her husband, Julia, 44, begins taking care of a street dog that’s been hit by a car. All of a sudden the pain of her son’s death catches up with her. Tobias, 34, is married to a career-orientated woman. He has been taking care of their three children and cannot seem to finish his studies; now his siblings have decided that he should also take care of their sick father.　　Edward Berger’s film portrays three people in search of happiness and inner peace. As a result of these three concentrated character studies, the image emerges of an insecure generation in a rapidly changing world.

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