比起同期好莱坞爱情片里那些轰轰烈烈的生离死别，《开往印度之船》更像一篇沉在水底的小说。 适合喜欢沉静心理剧、对海上氛围有耐心的观众。这类影片不提供任何“好看”的戏剧转折，它适合那些愿意忍受早期伯格曼的笨拙，并在粗粝的表演里捕捉他后来所有电影母题原型的观众。适合喜欢看人物心理挣扎、对早期北欧电影质感好奇的观众。和同时期瑞典电影偏重社会写实的风格相比，伯格曼更在意用摇晃的镜头和跳切传递那种无处安放的焦虑：安娜·林达尔饰演的舞女在甲板上唱歌时，歌声被海风和机械噪音吞没，反而比任何台词都更戳中角色之间的疏离感。推荐给钟情北欧电影传统、关注人物心理图谱的观众，以及对伯格曼从通俗剧转向哲思语境跃迁过程感兴趣的影迷。

Sailor Johannes Blom returns to his home port, after seven years at sea, to find that Sally, the girl he has been thinking of while away, is completely despondent. Seven years earlier, obstreperous Alexander Blom, brings his mistress Sally to live with him, his wife Alice, son Johannes, and crew, aboard the salvage boat he captains. Amidst all the tensions on the small boat, Johannes and Sally fall in love with each other. Written by Will Gilbert

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