看完《害羞的人》，那种湿漉漉的沼泽气息和人物之间拧巴的沉默，好几天都散不掉。 这部片子没有用任何花哨的叙事技巧，摄影机冷静得像一台观察仪器，把沼泽地的潮湿、闷热、苍蝇嗡鸣、木质老屋的吱呀声全拍给你看，你会不由自主地跟着主角一起感到皮肤发黏。没什么花哨剪辑，就是安静地跟着人物走，可那种压抑感，你看完半天都缓不过来。吉尔·克雷伯格演那个纽约记者倒挺妙，一开始端着，后来被沼泽生活逼得狼狈不堪，俩女人之间的张力特别真实，像两根绷紧的弦。适合那些愿意慢下来、在沉默里读出情绪的观众。两个女人对峙那几场戏，台词不多，全靠眼神和呼吸在较劲，看得人心里发紧。

　　New York pretentious Diana Sullivan is writing a series of articles on the theme of "family" for Cosmopolitan magazine. Primarily to keep an eye on her but also because of the personal connection, Diana invites her mid-teen daughter, Grace Sullivan, to accompany her on a trip to research the next in the series, dealing with their own family, most specifically a wing that lives deep in the backwaters of the Louisiana bayou, which has been largely overtaken by oil companies of late. They are most directly connected by brothers: Diana's grandfather Mike, and Joe, the patriarch of the Louisiana wing. Diana and Grace have never met their Louisiana relations, they in turn who do not even know that Diana and Grace exist. As difficult as it becomes, Diana and Grace are able to meet their Louisiana relations, led by Joe's widowed young wife, Ruth Sullivan, who acts as if Joe is still with them, who sees anything related to the city as suspect, and who rules her household with an iron fist to ...

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