1960年由格奥尔基·达涅利亚与伊戈尔·塔兰金联合执导的《难忘的夏天》，在叙事上摒弃了传统情节剧的起伏跌宕，转而采用一种近乎纪实般的日常切片手法——镜头缓慢跟随主人公在集体农庄里的劳作、对话与沉默，战争留下的创伤并非通过激烈冲突外化，而是渗透在人物不经意的停顿、回避的目光里。 这部片子没有跌宕的配乐和刻意的煽情，导演用大量长镜头捕捉人们对话时的微表情和手势，比如主角在河边反复搓洗一块手帕，从焦虑到释然，完全靠动作传递情绪。这种将时代创伤藏在日常褶皱里的手法，让它在同类作品里显得格外安静却后劲十足。没有刻意煽情，但邦达尔丘克演的父亲第一次蹲下来给儿子系鞋带时，那双粗糙的手和微微发抖的指尖，突然让我想起自己父亲年轻时的背影。剧情说白了就是小男孩过暑假那点事，可你看着看着就想起自己小时候。适合那些愿意静下心、不用快进、想在大银幕上找回童年某个闷热午后记忆的人。

　　1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。
　　Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.
　　From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).

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