故事是这样的：出身贫民窟的托马斯一心想摆脱原生家庭，却只能在放高利贷的妹妹简、讲义气的朋友利兹和哥哥迈克尔之间艰难周旋。导演西恩·迈德斯善用极简的独白与写实主义布景，捕捉底层少年内心世界的荒诞与温情，在粗粝与细腻的切换中完成对成长痛楚的具象化描摹。 最戳人的其实是俩男的，一个哭点，一个笑点，把那种穷小子互相拯救、又互相较劲的劲儿演活了。图尔格斯没有强行煽情，而是把镜头对准了底层人群在温饱线上的挣扎，以一种近乎荒诞的真实感，刻画出比尔与艾迪之间那种带有宿命感的兄弟情义。这种在粗粝中透出的荒诞诗意，非常契合那些厌倦了说教，渴望通过黑色幽默来理解这一代英国青年挣扎状态的观众。不同于传统英剧刻意堆砌的刻板印象，它把镜头对准了角落里的尴尬与温情——比如薇琪·麦克卢尔那个想谈恋爱却又在易拉罐上划火柴的笨拙瞬间。

　　Set during Christmas 1988, Lol is haunted by the devastating events that took place two and a half years before. She and Woody both find themselves struggling to cope with their lives without each other after he leaves the gang. Lol is carrying the burden of her guilt, whilst Woody is trying to build a domestic life with a new girlfriend and a potential promotion at work. Shaun has started drama college and, although still in a relationship with Smell, he has grown close to a girl performing in his Christmas play.

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