如果你厌倦了主流电影的快餐式叙事，想看点质感粗糙却余韵悠长的作品，这部片子一定合你胃口。如果你正陷入成长的迷茫，或偏爱那些用温情包裹着淡淡忧伤、细水长流般的心理现实主义佳作，这部片子绝对值得你静下心来细品。这部作品非常适合那些偏爱细腻现实主义、热衷于在平凡影像中寻找深层隐喻和情感震颤的观众。如果你偏爱文艺片，或者喜欢在静谧中感受人生无奈与温情的观众，这部电影绝对值得一看。这根本不是在看电影，更像是在拆解时间。纳威德·阿卜杜勒-拉赫曼的表演松弛自然，毫无矫揉造作，将角色在绝望中寻找希望的过程刻画得淋漓尽致。

Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, after his mother has gone to bed, he dons leather and heads for a private club. He telephones a tattoo artist with a special request. He goes to confession, accusing himself of despairing. He cries out during a nightmare, waking his mother. You're a good boy, she's told him. He prays the Stations of the Cross, and he lives out his own sorrowful mysteries.

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