如果你正在犹豫要不要看，我可以告诉你：豪梅·巴拉格罗这次没有玩跳吓，而是用潮湿、阴冷的室内光影和长镜头，把丧亲之痛慢慢熬成一种毛骨悚然的“存在感”。小女孩被锁在地下室的眼神不是单纯的恐惧，而是一种被驯服后的麻木，看得人心揪成一团。剧情亮点在于“哀神”并非具象怪物，而是通过重复出现的符号（一扇总在深夜自行开启的门、丈夫遗物里夹着的老照片）层层剥开家庭创伤。适合那些喜欢《鬼书》《遗传厄运》式由家庭创伤滋养出的恐怖片的观众，因为这里的恐怖不是外来的怪物，而是你不敢承认的悔恨本身。艾斯特·爱珀斯托把角色从逞强到崩溃的层次演得极细，尤其是她盯着某处空墙时逐渐凝固的眼神，比任何尖叫都有力。适合那些看腻了血浆和尖叫的恐怖片老手，或者想找点能慢慢回味、越想越怕的故事的人。

　　When go-go dancer Lucía nicks a fortune in designer drugs from her mafia employers, the mobsters’ dogged pursuit forces her to seek sanctuary with her estranged sister Rocío and niece Alba in “The Venus,” a decrepit apartment complex on the outskirts of Madrid. As terrible, rotten, no-good luck would have it, Lucía soon finds herself sole guardian to little Alba after Rocío suddenly flies the concrete coop, unable to handle the supernatural stress of living in a monolith that is apparently also host to a malignant evil — one that invades its tenants’ waking nightmares.
　　Taking a few cues from H.P. Lovecraft’s “The Dreams in the Witch House,” "Venus" piles on the blood and bombshells like a double bill of "Demons 2" and "The Sentinel".
　　源自：https://poff.ee/en/film/venus/

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