《一岛九命》在叙事上呈现出精巧的封闭空间谜题结构：费迪南多·巴尔迪借助岛屿的地理隔绝性，将九位人物的命运编织成一张因果密网，每一条线索都如退潮后的暗礁，在结局处逐一暴露。影片对“科学疯狂”主题的处理带有七十年代意大利类型片的粗粝质感，湿雾弥漫的丛林环境和半人半鱼怪物的造型设计直接服务于主题，而非廉价噱头。九个人被困孤岛，生路只有一条，但导演巴尔迪没让剧情变成粗暴的互杀游戏，反而用大量室内戏和对话推着角色一步步暴露私心与恐惧。就是把九个人扔到荒岛上，然后一个接一个莫名其妙地死掉。别想着看特效，就图老派叙事的那个味儿。阿瑟·肯尼迪饰演的老水手浑身透着被海浪磨钝的疲惫感，索菲娅·迪奥尼西奥则用眼神传递出角色在绝境中的狡黠与脆弱，两人一场对峙戏全靠面部肌肉微颤撑起张力。

　　"Nove Ospiti per un Delitto" is a mediocre giallo in the tradition of Agatha Christie's "And Then They Were None". Nine members of the same family go to an island, where nobody lives - but the head of the family (Arthur Kennedy) owns a nice house there. Problem is that he and his three sons keep a dark secret, and this dark secret begins to haunt them as soon as they are on the island. One by one they fall victim to a mysterious killer... (IMDb)

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