和那些堆砌特效、把路西法拍成哥特式反派的同类影片不同，《路西法2014》把神话拉回安第斯山区的小村庄。加维诺·罗德里格斯饰演的男主人公在忏悔与逃避之间反复拉扯，当他跪在破旧教堂的木椅上时，喉结颤抖的幅度比台词更让人心碎；María Acosta的角色只用一次深夜打电话时突然的沉默，就让我跟着屏住了呼吸。剧情看似平淡，却在结尾留下一个极具冲击力的反转，让人重新思考“善恶”的边界。导演几乎不用特写，全靠中远景里山脊上蹒跚的身影和村里人缓慢的劳作节奏来推进叙事。导演古斯·冯·贝尔热拍得跟做梦似的，故事慢悠悠的，好多长镜头就那么盯着人物，光线忽明忽暗，看着像一幅会动的油画。加维诺·罗德里格斯把路西法演出了一种懒散的危险感，他连走路都慢吞吞的，却让屏幕前的你脊背发凉；María Acosta演那位失去儿子的寡妇，几个擦眼泪的侧脸就道尽了内心挣扎。

　　On his downfall from Heaven to Hell, Lucifer passes through the earthly paradise, a village in Mexico, where elderly Lupita and her granddaughter Maria live. Lupita's brother Emanuel pretends he's paralyzed so he can drink and gamble while the two women tend to the sheep. Lucifer senses an opportunity and plays the miraculous healer. He forces Emanuel to walk again, seduces Maria and makes Lupita doubt about her faith. He didn't bring bad luck, he only illuminated the line between good and evil, where it didn't exist before.

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