如果你厌倦了六七十年代科幻片里那些光怪陆离的太空歌剧或冷战隐喻，这部丹麦导演Jens Ravn的《那个人在想什么事情》可能会让你意外——它几乎没有任何特效奇观，全片靠一张餐桌、几场对话和主角John Price那张布满疑虑的脸撑起。Lotte Tarp的角色也很妙，不是那种花瓶，而是让你跟着揪心。导演Jens Ravn拍得特别冷静，没什么大特效，就靠镜头慢慢怼着演员的脸，让你跟着一块儿发毛。它的独特之处在于把“意念控制现实”这个看似炫酷的设定彻底内化——没有爆炸或光效，而是用低饱和度的北欧冷光、长时间的静默特写和缓慢推拉的镜头，逼你直视思想逐渐侵蚀物质的荒诞过程。剧情讲一个普通人突然能靠意念改变现实，但导演没玩特效，而是把重点放在他身边人的反应上，那种怀疑、恐惧、最后像看怪物一样的眼神，看得我后背发凉。黑白影像里，哥本哈根的街道湿漉漉的，冷风好像能吹进骨头里。
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.相关搜索：
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