看《魔鬼玩偶》时,最让我坐立不安的倒不是那些缩小的玩偶本身,而是它们动起来时那种僵硬又诡异的节奏——像被无形的手提着线,每一步都卡在关节里。布朗宁用低角度镜头和深焦摄影反复强调玩偶与真人的比例错位,使观众在生理不适中感受到权力关系的诡异倒置。 推荐理由:托德·布朗宁延续了《畸形人》中那种介于奇幻与怪诞之间的氛围,没有靠廉价特技唬人,而是用精细的微缩模型和逼真的布景,营造出被缩小后世界变得庞大而危险的窒息感。如果你能接受黑白片的慢热和戏剧腔,它会给你一段独特的惊悚体验。女儿(莫琳·奥沙利文饰)以为父亲早已过世,却不知他正躲在她身边,用一群“活的”玩偶上演一出现代版的木偶奇遇记。 推荐理由:导演托德·布朗宁没有用廉价的怪物或尖叫吓人,而是用冷硬的光影和缓慢推进的镜头,把观众拉进一种潮湿、阴郁的心理迷宫。
After seventeen years in prison, the former respected Parisian banker Paul Lavond flees with his friend, the lunatic scientist Marcel that is researching with his wife Malita the miniaturization of animals and human beings to improve the resources of mankind. Paul Lavond was framed for robbery by his scoundrel associates Emil Coulvet, Charles Matin and Victor Radin that had stolen his business while his family was doomed to shame, poverty and tragedy. When Marcel reduces the retarded servant Lachna, he learns that the woman is motionless and only responds to the control of his brain and has a heart attack. After the death of Marcel, Paul Lavond sees the chance to use the miniaturization process as instrument of vengeance and he travels to Paris with the insane Malita disguised of Madame Mandilip, a nice old lady and owner of a dolls store. Paul Lavond, using the identity of Madame Mandilip, befriends his resented and estranged daughter Lorraine Lavond and plots a scheme to revenge and vindicate his family name.相关搜索:
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