阿兰·科诺的《黑色小说》以近乎纪实的手持摄影和冷调自然光，将黑色电影的宿命感嵌入法国外省灰暗的街巷与廉价旅馆。阿兰·科诺把镜头怼进巴黎灰蒙蒙的街巷，跟着推销员弗兰克那双越来越焦躁的眼睛，看他在债主、情人和一桩荒唐谋杀间打转。主角弗兰克是个半疯的推销员，帕特里克·迪瓦尔演他时总在咬牙根、抖腿，那种随时会崩断的神经质能把人拽进他的绝望里。如果你能忍受慢节奏，并且不抗拒那种“生活本就是烂泥”的诚实，这部电影会让你在结束后的深夜，忍不住盯着天花板的裂缝发呆。阿兰·科诺用冷峻的黑白影像和漫长压抑的长镜头，把一对情侣策划绑架的过程拍得毫无刺激感，反而让人从头到尾揪着心——你知道他们正一步步走向深渊，却只能看着他们被欲望和猜忌拖进更暗处。导演阿兰·科诺，拍得特别糙，镜头晃来晃去，光线阴阴沉沉，像偷拍的纪录片，但又透着股子诗意的绝望。

Franck Poupart is a slightly neurotic door-to-door salesman in a sinister part of Paris' suburbs. He meets Mona, a teenager, who's been made a prostitute by her own aunt. Franck would like to change his life and also save Mona from her aunt. Murder is the only solution he finds to achieve his goal... A very gloomy movie, exuding dispair and uneasiness, with pathetic characters.

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