故事是这样的：在荒凉的阿拉斯加金矿区，一场突如其来的严寒和贪婪，把一群逃犯、投机者和正派淘金客逼到了悬崖边上。如果你喜欢看两代人在特定时代背景下的观念碰撞，或者被那种在压抑环境下依然顽强呼吸的现实主义魅力所吸引，那么这片土地上荒芜又绚烂的风景，绝对值得你花两个小时慢慢品味。 :D。为了振兴家业，他把早已分家的两个儿子丹尼和莱勒叫回来，硬是把两家人勒令挤在了一起。整部片子镜头非常稳，大多在低角度仰拍，看光线如何把木头栈桥和粗糙皮肤照得金黄，看着老谢尔曼怎么在饭桌上盯着看儿子的眼神，把那种家财散尽、不想坐吃山空的焦虑感和兄弟间那种又不想撕破脸的拧巴劲儿演得特别实。影片用细腻的笔触描绘了这对性格迥异的兄弟在平静生活被打破后产生的微妙张力，以及森林中变幻莫测的迷雾天气如何成为推动情感发展的隐喻。

This is commonly known as Jean Renoir's first American film (1941), although Renoir scholar Alexander Sesonske has established that Renoir's creative role in the project was severely hampered by producer Darryl F. Zanuck and that he didn't regard much of the film as his own. (The ending, for instance, was written by Zanuck and directed by Irving Pichel.) Nevertheless, the film has certain beauties and pleasures. Part of it was shot in Georgia's Okefenokee swamp, and the treatment of the small community living ~Censored~ is often pungent and distinctive.

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