故事是这样的：两个长期合作的电台主播查尔斯和哈罗德，一个代表着绝望中充满精神追求的理智派，一个则是轻浮且依赖药物享乐的享乐派，两人为了证明自己对生命意义的理解，分别展开了独特的试验。英格儿·斯蒂文斯的冷艳与克制，为这种阴郁的基调增添了极具压迫感的锋利。想体验这种后劲十足的心理惊悚，就选它。如果你也经历过那种看着身边亲近的人慢慢迷失自我、甚至被社会机器嚼碎了再吐出来的无力感，这部电影绝对能让你后背发凉又深有共鸣。导演把空间压缩在两间斗室里，让三个人在逼仄的走廊里反复试探、角力。 贝拉方特在长达四个小时的篇幅里，用极其克制的微表情和肢体语言，展现了一个人在极端压力下的精神崩溃过程；斯蒂文斯则用充满碎片的独白，把那种在谎言中求生、在绝望中寻觅一丝温暖的破碎感刻画得入木三分。

Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in a nuclear holocaust. He travels to New York City only to find it deserted. Making a life for himself there, he is flabbergasted to eventually find Sarah Crandall, who also managed to survive. Together, they form a close friendship until the arrival of Benson Thacker who has managed to pilot his small boat into the city's harbor. At this point the tensions rise between the three, particularly between Thacker, who is white and Burton, who is black.

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