这部佳作摆脱了传统纪录片的沉闷，以印象派手法将巴赫的音乐与一场严肃的艺术诊断完美交织。主演莫娜·扎塔里奇将一位从杀人犯转变为保护者的单亲母亲刻画得淋漓尽致，她的每一眼都是对战争最无声的控诉。如果你也是古典乐迷，或者偏爱这种细腻深刻、略带忧伤的人性剖析，那么这部关于尊严与梦想的佳作绝对值得你静下心来细细品味。演员们全身心投入这一场场的“失语”表演，那种无法言说的孤独与隔膜感直击人心，将抽象的哲学思辨演变得极为具象。那种在巴赫乐韵中与世界对话的张力，足以让人忘却周遭喧嚣。 故事围绕着年轻的天才女钢琴家展开，她渴望进入世界顶级音乐学院深造，却在波哥大的贫民窟中目睹了暴力与鲜血。

　　“The Silence before Bach” is an approach to music and the trades and subjects that surround it through Bach’s works.
　　A look at the profound dramaturgic relationship between image and music where the latter is not merely conceived as subsidiary to the image but as a subject of the narration in its own right.
　　The film springs from a previously defined musical structure.  The soundtrack feeds on works by J.S Bach and two of Felix Mendelssohn’s sonatas to create an architectural vault beneath which the story of the film unfolds ; a promenade through the XVIIIth, XIXth and XXIth centuries led by the hand of J.S. Bach.

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